In addition to mastering the unknown through its depiction, the “pay off” is to confront images of the fragmentation of the self, annihilation of the self, and loss of control of the self’s boundaries. That is perhaps why audiences are strangely attracted to horror films. They give a specific form to our most primitive fears, binding these deep fears to a specific something that can be objectified and can be overcome by the cinematic equivalent of the “cavalry to the rescue” or even by counter magic. It should be noted that people run from the theatre if they believe their lives are really in danger; but the views stay in their seats, having actually paid money to be frightened vicariously by the experience of watching a horror film.
Here are twelve (12) top radio shows on empathy. Lou Agosta interviews thought leaders in the community about work they are doing that expands empathy. Note: interviews are edited to delete the commercials. Biographical information about the speaker and interviewer… Read More ›
Originally posted on Listening With Empathy:
Join Lou Agosta and his special guests Drs. Jesse Viner and Dale Monroe-Cook for an engaging conversation about the emotional, psychological, and human challenges of emerging adulthood. Drs. Viner and Monroe-Cook address these issues with…
Sass provides a compelling account of how philosophical solipsism, idealism, and phenomenalism (not phenomenology!) gives us access to the experiences of schizophrenic individuals and provide the disorder with its characteristic aspects.
By the end of George Makari’s engaging – indeed monumental – Soul Machine: The Invention of the Modern Mind (W.W. Norton 2016: 652 pp.) one comes to understand that the modern mind is more ancient than most people believe and the… Read More ›
Shorter narrates from the point of view of the practicing psychiatrist. The thesis is that psychiatry has struggled to differentiate itself from neurology (and brain science), psychoanalysis (and psychotherapy), finally securing for itself the secure path of a respectable scientific enterprise in the second psychopharmacological revolution, featuring Prozac (floxatine) along with a willingness to make use of some version of “the rapport,” talking with patients as human beings with complex lives and emotions.