Review: Alex Rosenberg’s How History Gets Things Wrong: The Neuroscience of Our Addiction to Stories(The MIT Press, 289 pp., $27.95US). Henry Ford said: “History is bunk.” The privileged, the victors, those with an ax to grind, and those with the… Read More ›
The first empathy book reviewed here is very good indeed. William Miller’s Listening Well: The Art of Empathic Understanding (Wipf and Stock, 114pp, ($18US)) is a short book. Admirably concise. My short review is that, as I am author of… Read More ›
You don’t need a philosopher to tell you what empathy is; you need a philosopher to help you distinguish the hype and the over-intellectualization from a rigorous and critical empathy. Every parent, teacher, health care worker, business person with customers,… Read More ›
Return to Wittgenstein’s Vienna – not your ordinary travelogue [Thursday evening 6 – 8:30 pm April 04 – May 23 2019 450 Citfyront Center 60611] Click here to register: Register [http://tinyurl.com/y3wjdp9s This course is about a man, a book, a city,… Read More ›
Putting ourselves in the situation of people who lived years ago in a different historical place and time is a challenge to our empathy. It requires historical empathy. How do we get “our heads around” a world that was fundamentally… Read More ›
Empathy is oxygen for the soul. So if you are feeling short of breath due to life stresses, perhaps one needs expanded empathy. Get some here. This is what you need to know to register. Further details on the course content… Read More ›
In addition to mastering the unknown through its depiction, the “pay off” is to confront images of the fragmentation of the self, annihilation of the self, and loss of control of the self’s boundaries. That is perhaps why audiences are strangely attracted to horror films. They give a specific form to our most primitive fears, binding these deep fears to a specific something that can be objectified and can be overcome by the cinematic equivalent of the “cavalry to the rescue” or even by counter magic. It should be noted that people run from the theatre if they believe their lives are really in danger; but the views stay in their seats, having actually paid money to be frightened vicariously by the experience of watching a horror film.